
The fur very nice and greasy here--though in one of those oddities of chromolithography, the cat seems to be in black and white and everything else in color.
A tiny, so-called 'gem' tintype. Feminist art history types will perhaps be familiar with the late 19th-century American photo-grapher Alice Austen: she left a number of amusing amateur portraits of herself and various female friends in drag. Most of the photos were taken on Staten Island, where she lived and worked; Austen's house is now a historic landmark.



...for today. I'm still on Oahu, in that strange place known as Resortland. An extraordinarily arduous hike today culminating in a steep and wildly slippery descent into the Waimea Bay South Valley. A man in our party was unable to stay on his feet, and so went down more or less through the jungle muck on his rump. White shorts gone the color of the Hawaiian red dirt, the sort used to make the famous tee shirts. Luckily, we didn't have to do this challenging trek on ice skates.
Unplanned coincidence: awoke this morning in Honolulu. The 70th anniversary of the attack on Pearl Harbor; somber flyovers; the dipping flags from passing ships; speeches by Japanese dignitaries; ancient men slowly rising to salute. Thoughts of my dear late stepfather Turk: teenage submariner in the last months of the Pacific war. He was here a lot ('Pearl') during his 30-year career as a Navy chief. Remembering his funeral, the 7-gun salute, the folded flag and spent bullet casings.

An enigmatic scene in a stream in a forest. (Click to enlarge.) Four men--variously, and oddly, dressed--seem to be searching for something underwater with poles and a rake. Why does one think (as if by default) it must be a body?
...is unbelievably hot, it turns out. How could I leave the City of Lights--demain--without posting Mme Delait and her dog? Two hairy angels. There are other Mme Delait postcards in existence--a set in fact-- but so far this is the only one I have. As you can imagine, they're quite expensive. One has to ask (oneself) what makes them so desirable.
One of the very few women (other than female royals) in the Felix Potin photo-card series from around 1900. The series is devoted mainly to French 'great men' (scientists, writers, generals, politicians) of the late 19th century. The cards themselves are the size of cigarette cards, but I can't recall at the moment if they were indeed packaged with cigarettes. Felix Potin was a fantastically successful French department store magnate of the 19th c. The cards--over 400 in the series-- were a promotional gambit.






Dept. of the Photo-Uncanny: I've spent the last month thinking and writing about him for my Oxford lectures, then last week at the vintage photo show in Emeryville I found this eerie anonymous snapshot of him. Who knew he'd lived into his 200s?


Late nineteenth-century view of Sandgate High Street, near Folkestone, Kent. Lived here for three years as a child in the early 1960s. Precisely where one sees the columned portico, was a 'zebra crossing' (PED XING in American). As a 9-year-old I stepped out gaily without looking and was nearly killed by a speeding motorcyclist. My mother, with a scream, had pulled me back at the last instant by the scruff.

Okay, this one is even more gross than the Nursing Goat--don't ask me why, but it is.

Liked this odd handmade postcard for its verging-on-abstract, slightly 'collaged' quality: the rifles and paper target have been glued onto the blood- red background. Reminded me too of an abstract-looking photo of a target by Roger Fenton--one of his astonishing pictures from the Crimean war.


