
--you can fill in the rest. A Keatsian, wild-eyed baby, for whom all is first-look. Yes: those realms of gold. But also, if you can believe it: Yankees Win on Chapman's Homer.




I often find the backs of so-called cabinet cards--formal studio portraits, from the late 19th century, mounted on heavy cardboard --more interesting than the people on the front. Stunning here: the wildly mixed type styles. The striped tights. But it all works.








One of several mysterious newspaper clippings mounted on cardboard I found in a flea market in Barcelona last year. Viva Franco, Arriba Espana indeed. All of them have the sinister impress of the Censor on the back side, as one sees in the example below. The peculiar assortment of ink colors and lettering styles against the pinky-gray cardboard make the backs even more compelling--visually speaking--than the fronts.








